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Enregistreur Professionnel 4K
Ref: SHOGUN FLAMESHOGUN FLAME SPECIFICATIONS | |
Weight | |
Without batteries & media | 650g / 22.9oz |
With batteries & media | 1094g / 38.6oz |
Dimensions (W x H x D mm) | 214 x 127 x 45mm, 8.4 x 5 x 1.8” |
Construction | High quality lightweight ABS Polycarbonate for durability & portability |
Built-in armor protection | |
Power | |
Operating power | 10 - 24W |
Compatible batteries | NP-F series and supporting accessories |
Input voltage (battery) | 6.2V to 16.8V |
Battery time (based on 2 x 7.4V batteries) | - |
5200mAh - up to 1.5hrs (monitor & record 4K 30p) | |
7800mAh - up to 2.2hrs (monitor & record 4K 30p) | |
DC In | 1 x DC in (6.2 - 16.8V) |
Continuous power | Primary-secondary battery system |
** Patent pending | Change batteries without losing power |
Loop batteries continuously | |
Touchscreen | |
Size | 7.1” |
Resolution | 1920 x 1200 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube le format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, |
Panasonic Vlog, JVC JLog, Red LogFilm | |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine |
Canon Cinema / BT2020 / DCI P3 / DCI P3+ | |
Panasonic V Gamut | |
Arri Alexa Wide Gamut | |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1500nit (+/- 10% @ center) |
HDR input (PQ/HLG) | Yes / Yes |
HDR output (PQ/HLG) | Yes / Yes |
Video Input/Loop Out | |
HDMI | 1 x HDMI (1.4b) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(camera dependent) | |
Video Output (Play Out) | |
HDMI | 1 x HDMI (1.4b) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(playback file dependent) | |
Supported Loop Out Formats | |
HDMI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/120, | |
2160p 24/25/30 | |
SDI to SDI | 720p 50/60, 1080i 50/60 |
1080pSF 24/25/30 | |
1080p 24/25/30/50/60/120* | |
2160p 24/25/30 | |
Video Signal Conversion | |
HDMI to SDI | 720p 50/60, 1080i 50/60 |
1080p 24/25/30/50/60/120* | |
2160p 24/25/30 | |
SDI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/120* | |
2160p 24/25/30 | |
Supported Codecs & Frame Rates (Record & Playback) | |
Raw Record* | Sony FS5/FS7^^/FS700 CDNG |
4K DCI; 24/25/30p | |
4K UHD; | |
2K; 24/25/30 | |
1080; | |
Canon C300MKII/C500 CDNG | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; | |
1080; | |
Panasonic VaricamLT CDNG* | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; | |
1080; | |
Raw to ProRes / DNxHR | Sony FS5/FS7/FS700* |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30p | |
4K UHD; | |
2K; 24/25/30 | |
1080; | |
Canon C300MKII/C500 | |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; | |
1080; | |
Video to ProRes / DNxHR | Codecs |
(DNx utilizes a .MOV wrapper) | Apple ProRes HQ, 422, LT |
AVID DNxHR HQX. HQ, SQ, LB | |
Frame rates | |
4K DCI; N/A | |
4K UHD; 24/25/30p | |
2K; N/A | |
1080p; 24/25/30/50/60/100^/120p^ | |
1080i; 50/60i | |
720p; 50/60p | |
Onboard Processing | |
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
60i > 24p (3:2 pulldown) | |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out |
Dynamic range >90dB | |
Max signal level +24dBu | |
Max analog gain +52dB | |
48V Phantom Power for Mic | |
Remote Start/Stop | |
HDMI | Auto HDMI Trigger |
Supported Protocols - Canon, Sony, Atomos Open Standard | |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
Playlist / Genlock / LTC | Yes / Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded les playback at native rate except 4K DCI which plays back at 24p only. Playback in slow motion >= 100fps |
Recording | |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) |
75mm x 105mm x 12mm | |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | FCPX/FCP7+ / Media Composer |
5.0+ / Premiere 5.5+ | |
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / | |
Autodesk Smoke 2015 | |
XML support | FCPX XML native, FCP7 supported with |
conversion (Adobe compatible) | |
Accessories included | Shogun Flame unit, Master Caddy II x 1, |
12V-3A AC power supply, Breakout XLR cable | |
Optional extras | Accessory Kit: 2 x battery, |
1 x charger, 1 x power supply, HPRC case, | |
USB dock, control cable, Dtap cable, | |
Master Caddy x 4, Power supply, Sun hood | |
Power Kit: 2 x battery, | |
1 x charger, 1 x power supply | |
Other: Atomos HDMI cable, | |
X-Rite i1DisplayPro calibration |