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Cliquez iciMoniteur Enregistreur HDR Pro
Ref: SUMOSUMO SPECIFICATIONS | |
Weight | |
Without batteries, media & stand | 5.45kg / 12.0lb |
With stand | 6.0kg / 13.2lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) |
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) | |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side |
3/8-16 screw; 2 x top, 2 x bottom, 1 x side | |
VESA mount rear | |
Power | |
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal |
(optional mounting plates available) | |
95Wh or larger recommended. | |
Input voltage (battery) | 14.4V nominal |
Battery time | Depends on Watt Hours specification of battery used |
DC In | 1 x DC in (12 - 16.8V) |
Continuous power | Primary-secondary battery system. |
* Patent pending | Change batteries without losing power |
Loop batteries continuously | |
Touchscreen | |
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), |
calibration to Rec.709 with optional calibration unit | |
HDR | |
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, |
Panasonic Vlog, JVC JLog, Red LogFilm | |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine |
Canon Cinema / BT2020 / DCI P3 / DCI P3+ | |
Panasonic V Gamut | |
Arri Alexa Wide Gamut | |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10% @ center) |
HDR input (PQ/HLG) | Yes / Yes |
HDR output (PQ/HLG) | Yes / Yes |
Video Input/Loop Out | |
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(camera dependent) | |
Video Output (Play Out) | |
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(playback file dependent) | |
Supported Loop Out Formats | |
HDMI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120 | |
2160p 24/25/30/50/60 | |
SDI to SDI | 720p 50/60, 1080i 50/60 |
1080pSF 24/25/30 | |
1080p 24/25/30/50/60/100/120 | |
2160p 24/25/30/50/60 | |
Video Signal Conversion | |
HDMI to SDI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
SDI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
Supported Codecs & Frame Rates (Record & Playback) | |
Raw Record | Sony FS5/FS7^^/FS700 CDNG |
4K DCI; 24/25/30p | |
4K UHD; | |
2K; 24/25/30/50/60/100/120p | |
1080; not supported in camera | |
Canon C300MKII/C500 CDNG | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; not supported in camera | |
1080; not supported in camera | |
Panasonic VaricamLT CDNG | |
4K DCI; 24/25/30p 10/12 bit | |
4K UHD; 24/25/30p 10/12 bit | |
2K HD; 100/120p 10 bit | |
1080 HD; 100/120p 10 bit | |
Arri Alexa Mini .ARI* | |
2880x1620; 24/25/30/50/60p | |
2880x2160; 24/25/30/50/60p | |
Raw to ProRes / DNxHR | Sony FS5/FS7/FS700 |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30/50/60p | |
4K UHD; | |
2K; 24/25/30/50/60/100/120/200/240p | |
1080; not supported in camera | |
Canon C300MKII/C500 | |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; not supported in camera | |
1080; not supported in camera | |
Panasonic VaricamLT | |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30/50/60p | |
4K UHD; 24/25/30/50*/60p | |
2K DCI; 100/120/200/240p | |
1080 HD; 100/120/200/240p | |
Video to ProRes / DNxHR | Codecs |
(DNx utilizes a .MOV wrapper) | Apple ProRes HQ, 422, LT |
AVID DNxHR HQX. HQ, SQ, LB | |
Frame rates | |
4K DCI; 24/25/30/50/60p | |
4K UHD; 24/25/30/50/60p | |
2K; N/A | |
1080p; 24/25/30/50/60/100^/120^/200/240p | |
1080i; 50/60i | |
720p; 50/60p | |
Onboard Processing | |
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
60i > 24p (3:2 pulldown) | |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out (direct XLR connection) |
Dynamic range >90dB | |
Max signal level +24dBu | |
Max analog gain +52dB | |
48V Phantom Power for Mic | |
Headphone Out | 3.5mm |
Built-in Speakers | Yes |
Remote Start/Stop | |
HDMI | Auto HDMI Trigger |
Supported Protocols - Canon, Sony, Atomos Open Standard | |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
Playlist / Genlock | Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
Recording | |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) |
75mm x 105mm x 12mm | |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / |
Media Composer 5.0+ / Premiere 5.5+ | |
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / | |
Autodesk Smoke 2015 | |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x |
screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply | |
Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI |
cable, X-Rite i1DisplayPro calibration | |
Warranty | 1 year. Extended to 3 years on product registration |